A lot went wrong with the first iteration of the twentieth century, which will of course inform its undimensional little sister. It will be crucial to better understand the politics and geography of a pseudo-space that hangs between Dreamlands and Wetlands.

By now, it should be obvious that recording is only one of the functions of pictorial representation--we've had considerable experience of its use to colonize and manipulate the original pseudo-space, the space of dreaming.

In other words, film and video are the state of a particular technology of dream-implantation.

This is why people look so relaxed when they are watching television, or wandering through museums.